By: Cloe Di Giulio https://www.newyorker.com/culture/cultural-comment/emily-in-paris-and-the-rise-of-ambient-tv Ever since its release in 2020, Emily in Paris has become Netflix’s token escapist show. Who wouldn’t want to drop everything and move to Paris? It is, of course, not as easy a journey as the show makes it out to be. From Emily’s daily designer wardrobe to the almost offensive French stereotypes, the ridiculous nature of the series is inherent—but that’s precisely